Random Stuff of Awesomeness!!!: 2012

Monday, 14 May 2012

Coming to Fruition...

In today's lesson me and Raj worked towards creating a jumping script for my Character Ben, and eventually finished it so that Ben would jump vertically.

Afterwards I redesigned the first level background and applied it to the background in Director.

Then finally I created a text box for Ben that would appear when he starts talking in the game.

Tuesday, 1 May 2012

For todays lesson, Raj taught us the fundamental basics to showing several videos within a space. Using coding we programmed the buttons on the TV to open and close the TV remote and then programmed codes onto the buttons on the remote to switch the channels of the TV to show the different videos.

We were then given the task of recreating the remote and adding video player functions, such as play and fast forward, to the remote. Productivity was key as the class raced to complete the task, but will have to be finished in the next class.

Wednesday, 25 April 2012

Designing the Character and Animating

Today I had begun to create the main character for 'The Aftermath of Judgement'. Originally the character was designed differently but I finally decided to create the character in the style of nostalgic games such as Super Mario and Sonic.

Ben, the main character, standing.

Next I designed other stances to be used in the game for Ben in Photoshop, such as running and falling.

Ben running.

After finishing the designing in Photoshop I then moved onto Flash and began animating the character so that he would be running.

Animating Ben in Flash.

FMP Mission Statement

Aftermath of Judgement.

Choice and consequence...

All is revealed in the 'Aftermath of Judgement'. I am going to create a game that brings 8-Bit design back from the brink of extinction, and bring forth a new Golden Age for gaming!

The aim of AOJ is to entertain the audience through the feel and style of classic arcade games

while combining new elements that will draw you, the audience, in such as the ability to play through different events that enhance the mood of the story. Through the use of nostalgic themes and the combination of neo-game elements this game will entice you to continue playing, a reminder of arcade games loved by gamers today.

Prepare for 8-BIT Reborn!!

Wednesday, 14 March 2012

Testing and De-Bugging

Problem 1 – The first problem I had come across was that the images I had used came out huge on the Director screen, but that was easily solved with cropping the images on Photoshop.

Problem 2 – The next problem was that the script was still handling weird and after debugging it they’re as still problems with the movements, but that was sorted eventually by rewriting the code completely.

Problem 3 – After completing and publishing the game I noticed that the navigation buttons were spaced oddly but that was easily sorted out by making the box for the buttons bigger.

After playing through the game several times I have managed to hopefully clear all problems and make the game clean.

Evaluation

Research

I started off this project by researching the 3 different games that I had chosen and explored the different aspects of each of those games and decided on which I could take into account when it came to creating my own game. Next I had completed the research on the principles of game design, which allowed me to evaluate the different aspects of the 3 games I researched and at the end of it I was very interested.

Sketches

The next step was to draw out my initial designs for my game and decide on what it would look like. My original idea that I came up with was going to be a samurai vs. ninja showdown fighting game, but after watching the TV show American Dad I was given inspiration to create an alien game. And thus Gabe was born. I drew up designs of the characters and the splash screen to see what it would look like.

Structure Diagram

The basic flow of the game is quite simple, so it won’t be any trouble when it comes to scripting the game. The splash screen leads off in 3 directions; Play, Help and Quit. Play takes you to the game and if you win it takes you to a separate page called Winning Page, and if you lose it takes you to the Losing Page, but they both lead you back to the splash screen. Help leads you to the Help Screen and gives you information on how to complete the game, and Quit simply quits the application.

The Game

Creating the game itself was tough because of complications like missing files, coding, and etc. but I managed to complete the game and the scripting on time. I used Photoshop to design the backgrounds and characters and then imported them into Director so they could be placed accordingly. The different screens were also created in Photoshop and the navigation buttons were simple words typed in on Director. I used coding from one of our old tutorials to allow my characters to move the way I wanted them to, such as a wall hit script and a movement script.

8 Minute Pitch

I was worried at first that I wouldn’t be able to finish the pitch in accordance to the time limit that we had, but I managed to finish the video on time. Firstly I described my influences of my ideas and the 3 games that I took aspects from, and then went on to discuss my views on why I believe this game will hit the market by storm. Next I talked about the target audience, and went on to explain about availability and different platforms. I was really nervous about trying to finish this to meet the deadline but the time was met and I am happy with the overall progress.

Structure Diagram

Examples of Finished Designs for Game

G.A.B.E. Initial Designs

Principles of Game Design

1. Focal point – This principle is self-explanatory. The player has to understand what his focus is in the game and whether or not the focus is kept as the game progresses. An example of this is in Oddworld: Abe’s Oddysee, where the focus is always kept on the main character Abe and his quest to rescue the Mudokons, while completing the tasks set for the player.

2. Anticipation – This means that the player must be informed that something is about to happen, whether it would be through visual or audio means. A clear example of this is in the game Metal Gear, when Snake is seen by any of the guards a loud ping sound occurs and an exclamation mark appears above the guard’s head, showing that Snake is in danger.

3. Announce Change – The meaning of this is to let the player know where he exactly is in the game and keep them in control. This principle is often overlooked, but is necessary for the player to be aware of the change. Examples of this are in many games but to specify, Abe’s Oddysee uses this when you rescue a Mudokon and a number appears on the top of the screen, signifying that you have rescued that many Mudokons in total. Also in Metal Gear when Snake collects ammo or weapons the number or name of the gun appears to show he has collected that many of that item.

4. Behavior and Believable Events – This means that the characters and events must behave according to the expectations of the player, and the actions and behaviors of the game itself must satisfy the player’s logic. An example of this is in Tenchu: Silent Assassins when the player uses flash bombs to blind the guards and get away, the player expects the guard to be disorientated.

5. Overlapping Events and Behavior – The game needs to be interesting and not only have one change occur at a time. This appeals to the player and helps the overall dynamic of the game. A good example of this is in Abe’s Oddysee when Abe uses his friend Elum to complete the puzzles ahead and finish the level.

6. Physics – The player will play the game with a basic understanding of physics, so you should always adhere to the laws of gravity, weight, elasticity, etc. but at the same time not be hindered by it. An example of this is in Tenchu: Silent Assassins when the player uses his grappling hook to climb to the top of a building, and then performs sneak attacks by jumping off the building without taking any fall damage.

7. Sound – Sound is key to set the scene for the player, to let him know where he is and what is going on around him. In game this can range from sound effects to background music. A perfect example of this is in Metal Gear, where the music is quiet and calm until Snake is seen by a guard, and the music changes from calm to hectic and loud sound effects accompany the background music to signify the danger and suspense.

8. Pacing – This means that the player should always have diversity and be given a choice of whether or not he performs a certain action the right way or the wrong way. This can include areas of high concentration accompanied by shorter areas with a straightforward goal. One of the examples of this is in Tenchu: Silent Assassins where the player can choose to either fight the guards head on with power attacks and light attacks, or he can choose to assassinate the enemy silently as to not draw attention.

9. Spacing – The player needs space in his environment to exact the right move and thus complete his task. You must consider the right elements for what the player is about to encounter. A good example of this is in Metal Gear when Snake moves into a new room and guards are patrolling the area, so the player must use the environment to either sneak past the guard or fight them.

10. Linear Design Versus Component Breakdown – Linear design means to solve the challenges as they come, which can lead to loss of focus but provides creative solutions to the game. Component Breakdown provides insight into primary objectives and allows for logical thinking, but can restrict innovation. This doesn’t necessarily mean you use one and not the other though, as one method can be more appropriate than the other at times. Examples of component breakdown are in both Metal Gear and Tenchu, where the character has the choice to either face the enemy head on or attack silently. An example of linear design would be Abe’s Oddysee, where the character has to solve puzzles or defeat enemies to enter the next level.

11. Player – This means to help the player contribute to the experience, either by making the player feel empowered throughout the game or to simply blow them off their seats. An example of this is in Abe’s Oddysee, where the character can transform into the Mudokon god Shrykull to defeat the enemies in the level.

12. Communication – This means to question whether the player is using the correct move to complete the task, or is the player being pointed in the right direction. A good example of this is in Abe’s Oddysee, where the environment is shaped to always point the player in the right direction.

13. Appeal – An important part of game design, as it establishes whether or not your game idea is compelling enough to keep playing or, to put it simply, if the game is boring then do you want to keep playing. This could mean when punches actually shake the screen, or the sound is affected by elements in the game itself. An example of this is in Tenchu: Silent Assassins, when your character is attacked by a guard, the screen shakes to accommodate the pain your character feels, and thus makes the game feel more realistic.

Screenshots of my chosen 3 games

Tuesday, 6 March 2012

Game Concept Design Research - 3 Comparable Games

Oddworld: Abe’s Oddysee

Abe’s Oddysee is a cinematic platform game created by Oddworld Inhabitants and released in 1997 for the PlayStation, and later for DOS and Microsoft Windows. The story begins with a Mudokon called Abe, shown to be forced into slavery by the evil Glukkons and work in a factory called Rupture Farms. Upon overhearing that the Glukkons are going to harvest the Mudokons for meat and sell them for profit, Abe immediately escapes from the factory. A Mudokon called Big Face appears to Abe in a vision, telling him that the Mudokons are the ‘chosen race’ and need to be rescued, but Abe needs to complete the trials in order to gain the power needed to rescue them. After completing these trials, Abe is bestowed the power of transforming into the Mudokon god Shrykull and then sets forth on his quest to rescue his brethren.

The game itself is a 2D dimensional platform game and the game progresses by reaching the end of the screen, thus continuing to the next level. Abe is able to complete set actions, such as running, jumping, etc., but he also has a few unique abilities, such as Gamespeak and possession. Gamespeak is the name of the interactivity that Abe has towards the captured Mudokons, allowing him to tell them to wait or follow at his command. Abe is able to possess a certain enemy creature called a Slig, which is found numerous throughout the game, and this proves useful when activating traps or attacking other Sligs. Abe is also able to interact with his animal friend called Elum, a mule-like creature, which enables for increased mobility and jumping.

I have chose this game in particular because of the 2D puzzle theme that it follows, e.g. Abe uses his power to open a door and passes into the next level, in which it gets more challenging. This is an element that I would like to use in my game, not just for effect but also because this particular element allows the gamer to engage on the task at hand and focus on the primary character, which could allow for the gamer to get blindsided by something else. In my game an example of this would be something like, the alien passing through closed doors and suddenly an alarm trips, which alerts the security guard to his whereabouts, thus the player loses the game. It’s the repetitiveness of the level and the gameplay that helps engage the player and focus on the primary character that I believe will help make my game successful.

Metal Gear

Metal Gear is an overhead military action-adventure video game released for MSX2 in 1987 and later for the Nintendo Entertainment System (NES). This game is considered to be the progenitor of the stealth game genre. The story begins with FOXHOUND leader Big Boss sending operative Solid Snake into Galzburg, South Africa to rescue Gray Fox and carry out his mission. After meeting up with resistance leaders Schneider, Diane and Jennifer, they rescue Gray Fox and he tells them of a machine called Metal Gear, capable of launching every nuclear warhead in the world. He also tells them of the group Outer Heaven, who plan to use Metal Gear in order to establish a new world superpower. Snake fights through Outer Heaven forces throughout the game and dodges traps, but realizes the traps are too precise and begins to question his mission. Soon after, Big Boss acts strangely and tells Snake to abandon his mission (in game Big Boss breaks the forth wall and tells the player to turn the console off) and this leads to Schneider being ambushed and killed by enemy hostiles. Snake eventually neutralizes Metal Gear before it reaches completion, and before long Big Boss is revealed to be the leader of Outer Heaven, using his military connections to steal intelligence and fund his own activities. They engage in a fight, and upon losing to Snake he sets a self destruction timer off, attempting to blow up the facility with Snake and him inside. Snake escapes from the facility and the game ends with a message from Big Boss exclaiming that he will meet Snake again.

The player must navigate through the levels by avoiding visual and direct contact with the patrolling guards. If seen at all by the guards, the game enters the ‘Alert Mode’ in which Snake must escape. There are two different ‘Alert Modes’ in the game, the first being guards with single ‘!’ marks above their heads, and guards with two ‘!!’ marks above their heads. The single ‘!’ means that only one guard is wary of your presence and can be avoided by moving to a different screen. The double ‘!!’ means that all guards are aware of your presence, and you can only avoid them by defeating all the guards, moving to a different floor or just simply walking outside. The player starts off unarmed but eventually gains use of heaps of firepower and ammunition, such as the RPG-7 rocket launcher. The game consists of 3 different buildings, each with their own floors and basements, and Snake must access each building to progress, while also rescuing hostages for extra capacity and ammunition.

The aspect of this game that I have chosen to include in my game is the stealth movement. What intrigues me about this game is that it basically started off the stealth genre series with a simple design; hide and you won’t be seen and also avoiding the traps set out for you. In my game the example of this would be, the alien uses his powers to allow him to pass through tripwires and laser grids, while also not being caught by the security guard. This is another game that has inspired my game’s main aspect and it was a good choice.

Tenchu – Stealth Assassins

Tenchu is a stealth game developed by Acquire for the PlayStation in 1998. The game incorporated stealth as a major aspect instead of running in recklessly, which made the player think twice about his/her actions. The game takes place in feudal Japan with a pair of ninjas, Rikimaru and Ayane, who are members of the Azuma ninja clan. The two work for the heroic Lord Gohda, and work for him as his secret spies to root out corruption and to gather intelligence in his province. However, the evil demonic sorcerer Mei-Oh seeks to destroy Lord Gohda, and using his demon warrior Onikage who wreaks havoc throughout Gohda’s province.

The gameplay differs depending on what character you choose. Rikimaru, armed with a single ninjato, is stronger than Ayame but relatively slower. Ayame carries a pair of tantos and is faster and has more combos than Rikimaru, but is the weaker of the two. All of the levels take place at night to compensate for the technical limitations of the PlayStation; the game's high rate of redraw is reduced by setting events at night and reducing the distance the player can see. Both characters are armed with a grappling hook, which allows them to zip up to the tops of buildings and move freely across rooftops, which gave the game a sense of verticality that was rare among most action/adventure games of the time.

This is another stealth game that has influenced my ideas for my game because I like the idea of using dark areas to conceal you, which is an aspect I will be using in my game. For example, the alien could use a shadow to cloak himself as the security guard tries to find you. This will be a common theme of my game and will be very useful for the mechanics of my game.

Wednesday, 22 February 2012

The Aftermath of Judgement - Story Outline

The story of my game sets itself in between events of the group film. Need to edit certain areas for continuity.

The story begins after the main character, Ben's father Frank has been captured by the Imperium soldiers. Ben is left a note detailing that they will kill his father if he does not surrender the video diaries to Imperium. A map is enclosed with the note and Ben is forced to follow the directions that lead him to an abandoned warehouse. As he enters the warehouse he sees a huge complex in the center, surrounded by giant pitfalls and only one passage to follow.

Ben continues down the path and proceeds to enter the complex, unbeknownst to him that he is being watched by the Imperium member who captured his father from above. As he continues following the path Ben comes into a dark clearing, which lights up to show a spacious room, with 3 words surrounded by the colours red, grey and blue. A loudspeaker gets turned on and Ben hears the Imperium member explain the situation to him, which is if he answers the questions in the right order he will get his father back. This comes with a consequence however, he must surrender the video diaries if he wants to get his father back...alive. Ben accepts these terms and walks down to the edge of the room, seeing 3 doorways with 3 words above them. Ben looks down at the floor and notices a question that he must answer by walking through one of the doors. This is the general basis of the game, and is the running theme to follow throughout.

As Ben continues through the complex however, the colour of the complex will change between the different colours that are shown above the doors. These resemble the choices he has made and how this will affect the consequences of the endgame. The 3 different endings are as follows:

Blue Ending – This is resembled as the 'good' ending and will be activated if you choose to go through a certain number of blue doors. In this ending, Ben makes it to the final chamber and Frank is led in the middle of the room, unconscious. The Imperium member shows up from a lift behind Frank and demands Ben to give him the video diaries. After all that Ben has been through he realises that his father would not want him to give up the tapes, and so he refuses and tries to valiantly take on the Imperium member, all to no avail. The mysterious man quickly pulls out a gun and fires at Ben, immediately killing him while he takes Frank into the lift, leaving Ben's dead body in the dark recesses of the complex.

Grey Ending – The grey ending symbolizes 'neutrality' and thus is the neutral ending, being activated by going through the grey doors throughout the game. Ben gets to the final chamber, seeing Frank in the middle of the room aswell. The Imperium member appears and asks for the video diaries, in which Ben gives to him in exchange for his father's life. Ben feels reluctant that he finally got his father back, and he runs over to help him, in which he is waking up now. Before Frank can say anything, The Imperium member shoots Frank and he falls to the floor, lifeless. He quickly gets away in the lift and Ben is left to drag his father's dead body out of the complex, vowing his revenge against the mysterious group. This is the true ending to the game, and the events from this particular ending are continued in the film.

Red Ending – The red ending symbolizes the 'evil' side to Ben, but doesn't necessarily mean it was for evil intentions. Ben gets to the final chamber and is immediately confronted by the Imperium member. Instead of asking for the video diaries, the mysterious man just smiles, signifying that Ben has made the right choices throughout the complex and is willing to spare his father's life, if he became the 6^th Imperium member. Throughout the game Ben has been thinking of any possible way to keep his father alive, so he reluctantly accepts the gracious offer and is taken up the elevator with the man, metaphorically giving his own life in exchange for his fathers.

Timeline of Recorded Progress

FMP 2012 on Dipity.

Tuesday, 14 February 2012

Scene Breakdown of the Film

Robins Bit

Scene1a: - Video Diary

Action: Video diary playing

Cast: Father Scientist

Location: Science Lab in College

Dialogue: Talking about meeting the new clients (Imperium)

Scene1b: - Interaction with son

Action: Pulling out from video diary to wide shot

Cast: Father Scientist and his son (Robin)

Location: Science Lab in college

Dialogue: Discussing clients with his son

Scene 2a: - Looking at the blue prints

Action: Flicking through the pages of research

Cast: Father Scientist

Location: Science lab in college

Dialogue: N/A

Scene 2b: - Mixing a various chemicals

Action: Pouring different coloured liquids into each other

Cast: Father Scientist

Location: Science lab in college

Dialogue: N/A

Scene 3: - Realisation

Action: Father Scientist realises what Imperium are actually trying to do

Cast: Father Scientist

Location: Science lab in college

Dialogue: Talking to himself

Scene 4: - Alteration

Action: Dropping something else into the formula.

Cast: Father Scientist

Location: Science lab in college

Dialogue: Talking through how this might help keep the normal brain function

Scene 5: - Testing on animals

Action: Test on animals before testing on humans

Cast: Father Scientist

Location: Science lab in college

Dialogue: Talking through the tracked progress of the animals.

Scene 6: - The need to test on a human

Action: Deciding that it is time to test on a human subject

Cast: Father Scientist

Location: Science lab in college

Dialogue: Inside the Head thinking that he is going to do it

Scene 6a: - The phone call to the son

Action: calls the son to say goodbye just encase the worse comes to the worst

Cast: Father Scientist

Location: Science lab in college

Dialogue: Explaining why he has called and saying farewells.

Scene 6b: - Son Panicking

Action: starting to freak out because his dad might die

Cast: Father Scientist son

Location: Uni room

Dialogue: Telling him not to do anything until he gets there

Scene 6c: - Son travelling to labs with mate

Action: Getting his roommate to drive him to the lab

Cast: Father Scientist son + Jacobs character

Location: Car

Dialogue: Filling in the mate on what is going on.

Scene 7a: - Son arriving at the lab

Action: Rushing through the building towards his father

Cast: Father Scientist son and Jacobs character

Location: Science Labs College

Dialogue: Telling his mate to keep up with him

Scene 7b: - Son stopping father from injecting

Action: Grabs the needle out of his hand and throws it onto the table

Cast: Father Scientist, son and Jacobs character

Location: Science Labs College

Dialogue: Son telling father not to be so stupid.

Scene 8: - The Arguing

Action: Father and son arguing over who should take the needle

Cast: Father Scientist, son

Location: Science Labs College

Dialogue: Shouting at each other

Scene 9: - Jakes offering

Action: Jake interrupts the arguing and offers himself for the injection

Cast: Father Scientist, son + Jakes character

Location: Science Labs College

Dialogue: Jake saying that he will offer himself for the injection.

Scene 10: - Jakes situation explanation

Action: explains why he is the one with the least to loose

Cast: Father Scientist, son + Jakes character

Location: Science Labs College

Dialogue: Talking about how he is the only person left in his family.

Scene 11: - Prepping the injection

Action: Doing all the preparation for the injection such as lying on the bench.

Cast: Father Scientist, son + Jakes character

Location: Science Labs College

Dialogue: Telling to relax and all that type of stuff they say

Scene 12: - Administering the injection

Action: Inserting the needle and pushing the plunger down.

Cast: Father Scientist, son + Jakes character

Location: Science Labs College

Dialogue: A slight ow from Jakes character

Scene 13: - Jake Blacking Out

Action: Inserting the needle and pushing the plunger down.

Cast: Father Scientist, son + Jakes character

Location: Science Labs College

Dialogue: A slight ow from Jakes character

Scene 13a: - Jake fading into consciousness

Action: Blurry sort of eye opening with Jake listening to his surroundings.

Cast: Jakes character

Location: Side Room

Dialogue: Can hear the Imperium people talking about where there product is

Scene 13b: - Jake fades out of consciousness

Action: Eyes close as he goes unconscious

Cast: Jakes character

Location: Side Room

Dialogue: Still hear people talking

Scene 13c: - Jake fades into consciousness

Action: Eyes open and looks towards the door that is slightly ajar and can see father figure horridly packing

Cast: Jakes character, Father Scientist

Location: Side Room, Main lab

Dialogue: Over hearing him talking to the son saying he has to go into hiding for there safety

Scene 13d: - Jake fades out of consciousness

Action: robs character walks through the door

Cast: Jakes character, Father Scientist, son

Location: Side Room, Main lab

Dialogue: Hears father and son saying goodbye to each other.

Scene 14: - Jake properly waking up

Action: Looks around the room and spots rob sat in a chair

Cast: Jakes character, son

Location: Side Room, Main lab

Dialogue: Rob explains the situation and why he is the only one left.

Scene 15: - The hidden message

Action: Explains the riddle that will allow them to find the video diaries

Cast: Jakes character, son

Location: Side Room, Main lab

Dialogue: Talking about the hidden message that only he would understand within the video diaries

Scene 16: - Imperium Update

Action: Rob and Jake Talking

Cast: Jakes character, son

Location: Side Room, Main lab

Dialogue: Talking about what the Imperium is currently up to.

Scene 17: - Jakes Memory loss

Action: Jake looking completely confused

Cast: Jakes character, son

Location: Side Room, Main lab

Dialogue: Jake is saying that he can’t remember anything that has been happening

Jakes Bit

Scene 18: - Cut Screen

Action: Screen saying 1 year later

Cast: N/A

Location: N/A

Dialogue: N/A

Scene 19a: - Jakes mission Briefing

Action: Jake and other squad members waiting in a room for their commanding officer.

Cast: 5 soldiers + Jake

Location: Briefing room

Dialogue: Stats about a new weapon of some sort

Scene 19b: - Officer Arrival

Action: officer walks in and they all stand up at attention.

Cast: 5 soldiers + Jake + officer

Location: Briefing room

Dialogue: Thanks and commands them to shut up

Scene 19c: - Briefing

Action: Officer talking and other people listening and making notes

Cast: 5 soldiers + Jake + officer

Location: Briefing room

Dialogue: Talking about the mission

Scene 19d: - Mission brief Conclusion

Action: Officer asks for question and they all leave

Cast: 5 soldiers + Jake + officer

Location: Briefing room

Dialogue: Questions

Robins Bit

Scene 20: - Riddle Solved

Action: Realising the answer to the riddle

Cast: Rob + Rich

Location: Room in assistants hide out place

Dialogue: Telling the assistant about the answer to the riddle

Scene 21a: - Contacting Purge leader

Action: Dialling number in phone

Cast: Rob + Rich

Location: Room in assistants hide out place

Dialogue: Assistant tells the leader where the video diaries are.

Scene 21b: - Purge leader talking

Action: Telling Rob and Rich what he is going to do

Cast: Leader

Location: Room in Purge HQ

Dialogue: Telling them he will get somebody to retrieve it straight away.

Scene 21c: - Purge leader Ending Call

Action: Ending call

Cast: Leader

Location: Room in urge HQ

Dialogue: N/A

Ryans Bit

Scene 22a: - Purge leader contacting Ryan

Action: Dialling number

Cast: Leader

Location: Room in Purge HQ

Dialogue: N/A

Scene 22b: - Purge leader talking to Ryan

Action: Giving Ryan an order

Cast: Leader

Location: Room in Purge HQ

Dialogue: Telling Ryan to meet him

Scene 22c: - Ryan ends call

Action: Ryan pressing end call button and putting phone in pocket

Cast: Ryan

Location: Room where Ryan is

Dialogue: N/A

Scene 23: - Ryan Going To Purge HQ

Action: Ryan grabbing coat and heading out of the door

Cast: Ryan

Location: Room where Ryan is

Dialogue: N/A

Scene 24: - Ryan walking down street

Action: camera following Ryan walking down street

Cast: Ryan

Location: A Street

Dialogue: N/A

Scene 25: - Ryan Arriving At Purge HQ

Action: Walks through door to building

Cast: Ryan

Location: Purge HQ

Dialogue: N/A

Scene 26: - Security Confrontation

Action: Get stopped by two security with weapons drawn

Cast: Ryan, Two Purge Guards

Location: Purge HQ

Dialogue: Guards checking that he is who he says he is

Scene 27: - Meets Purge Commander

Action: Get Goes into room and is told an order to sit

Cast: Ryan, Purge Commander

Location: Purge HQ

Dialogue: Telling Ryan to sit

Scene 28: - Ryan’s Mission Briefing

Action: Watching a presentation

Cast: Ryan, Purge Commander

Location: Purge HQ

Dialogue: Telling Ryan what he has to do

Scene 29: - Ryan Prepping For Mission

Action: In room sorting out various objects and weapons that he will take with him

Cast: Ryan

Location: Weapons room at Purge HQ

Dialogue: N/A

Scene 30: - Ryan Memory

Action: sits on a box and pulls out an image from his wallet and looks at it

Cast: Ryan

Location: Weapons room at Purge HQ

Dialogue: N/A

Scene 31a: - Ryan Fiancé Flashback

Action: Goes into the fiancé getting the injection

Cast: Fiance, Imperium Scientists

Location: Room at Imperium

Dialogue: People telling her to keep calm

Scene 31b: - Fiancé +Injection Gone Wrong

Action: Fiancé begins to fit

Cast: Fiance, Imperium Scientists

Location: Room at Imperium

Dialogue: People barking orders to step back from her

Scene 31c: - Fiancé death

Action: Fiancé stops fitting and lays there still

Cast: Fiance, Imperium Scientists

Location: Room at Imperium

Dialogue: Someone states she is dead

Scene 31d: - Coming out of flash back

Action: Slowly transitions from the flash back, back to Ryan sat on the box

Cast: Fiance, Imperium Scientists, Ryan

Location: Room at Imperium, Weapons room In Purge HQ

Dialogue: N/A

Scene 32: - Ryan Venting Frustration

Action: Puts on an angry face and then punches a wall or box

Cast: Ryan

Location: Weapons room In Purge HQ

Dialogue: Screams out a curse towards the Imperium people

Scene 33a: - Ryan Moving To Complex

Action: Grabs his gear and heads out of the Purge HQ

Cast: Ryan

Location: Purge HQ, Street

Dialogue: N/A

Scene 33b: - Ryan Moving over ground towards Complex

Action: Lightly Jogging over open ground sticking to trees and hedges

Cast: Ryan

Location: Field (Some sort of op ground)

Dialogue: N/A

Scene 33c: - Ryan Scoping Complex Behind Hedge

Action: Kneeling by a hedge or wall carefully peering over.

Cast: Ryan

Location: Field (Some sort of op ground)

Dialogue: N/A

Scene 34: - Spotting Imperium Soldiers

Action: Camera zooms into the soldiers moving into the building

Cast: Ryan

Location: Field (Some sort of op ground), Complex

Dialogue: N/A

Scene 35: - Ryan moving towards back entrance

Action: Leaps over hedge and sprints over open ground and down the side of the building

Cast: Ryan

Location: Field (Some sort of op ground), Complex

Dialogue: N/A

Scene 36: - Ryan cautiously probing back entrance

Action: Small mirror around the bottom of the door

Cast: Ryan

Location: Field (Some sort of op ground), Complex

Dialogue: N/A

Jakes Bit

Scene 37: - Camera moving towards Jake

Action: Camera leaves Ryan’s position and goes in through the door passing jake and then turning to face him

Cast: Ryan, Jake and soldiers

Location: Field (Some sort of op ground), Complex

Dialogue: Start hearing jake barking orders

Scene 38: - Jake ordering room searches

Action: Jake signalling soldiers to search rooms as they go down the corridor

Cast: Ryan, Jake and soldiers

Location: Complex

Dialogue: Hear Jake barking orders

Scene 39: - Jake Entering Last Room

Action: Camera follows Jake into the room

Cast: Jake

Location: Complex

Dialogue: Faint random chatter of other soldier searching through various files.

Scene 40: - Jake Searching Files

Action: Jake thumbing through various files

Cast: Jake

Location: Complex

Dialogue: Faint random chatter of other soldier searching through various files.

Scene 41: - Rob character File

Action: Jake pausing and looking at the video

Cast: Jake

Location: Complex

Dialogue: Faint random chatter of other soldier searching through various files.

Scene 42: - Camera Moving

Action: Pull back out into the corridor and heads towards the back entrance

Cast: Jake

Location: Complex

Dialogue: N/A

Scene 43: - Ryan in stealth mode

Action: Follows Ryan moving stealthily along the corridor to the open door

Cast: Ryan

Location: Complex

Dialogue: N/A

Scene 44: - Ryan Peering into room

Action: Slowly and cautiously peers into room and spots Jake facing away from him into a file

Cast: Ryan, Jake

Location: Complex

Dialogue: N/A

Scene 45: - Ryan Stealth moving

Action: Ryan moving towards jake with a rock

Cast: Ryan, Jake

Location: Complex

Dialogue: N/A

Scene 46: - Head Smash

Action: Ryan smashes the rock into the back of Jakes head

Cast: Ryan, Jake

Location: Complex

Dialogue: N/A

Scene 47: - Jake Reaction

Action: Jake hardly flinches and takes a swing towards Jake

Cast: Ryan, Jake

Location: Complex

Dialogue: N/A

Scene 48a: - Jake vs Ryan

Action: Ryan ducks and throws a punch

Cast: Ryan, Jake

Location: Complex

Dialogue: N/A

Scene 48b: - Jake vs Ryan

Action: Jake takes the punch and Spartan kicks Ryan again a wall

Cast: Ryan, Jake

Location: Complex

Dialogue: N/A

Scene 48c: - Jake vs Ryan

Action: Jake runs in and pins Ryan to the wall by he neck

Cast: Ryan, Jake

Location: Complex

Dialogue: N/A

Scene 49: - Ryan Pleeing For His Life

Action: Ryan all panicky and struggling to breath

Cast: Ryan, Jake

Location: Complex

Dialogue: Trying to convince jake not to kill him

Scene 49: - Ryan telling jake his history

Action: Jake begins to loosen his grip slightly

Cast: Ryan, Jake

Location: Complex

Dialogue: Ryan talking about what happened to jake

Scene 50: - Jakes Realisation

Action: Jake realises Ryan is no threat and realises his vice grip

Cast: Ryan, Jake

Location: Complex

Dialogue: Asking what Ryan was doing here

Scene 51: - Tape hunt

Action: Jake and Ryan start looking around the room for the tape

Cast: Ryan, Jake

Location: Complex

Dialogue: Still chatting about his past

Scene 52: - Tape Found

Action: Ryan puts the tape in his bag and heads for the door

Cast: Ryan, Jake

Location: Complex

Dialogue: Saying goodbyes

Scene 53: - Soldier walks in

Action: soldier walks in and sees Ryan and then looks at jake whose does not have his weapon drawn

Cast: Ryan, Jake, soldier

Location: Complex

Dialogue: Soldier is all WTF

Scene 54: - Soldier take down

Action: Before the soldier has time to react jake rugby tackles him to the floor

Cast: Ryan, Jake, soldier

Location: Complex

Dialogue: Insults flying everywhere

Scene 55: - Ryan Escape

Action: Ryan jumps over jake and the soldier scrapping on the floor and sprints out the way he came

Cast: Ryan, Jake, soldier

Location: Complex

Dialogue: Insults flying everywhere

Scene 56: - Soldiers surrounding

Action: All the other soldiers surround jake, weapons drawn

Cast: Jake

Location: Complex

Dialogue: Telling him to surrender

Scene 56: - Jakes arrest

Action: They arrest jake

Cast: Jake

Location: Complex

Dialogue: Telling him to put his hands behind his head

Scene 56: - Soldier spotting Ryan

Action: Camera follows one soldier who spots Ryan

Cast: Ryan, Soldier

Location: Complex

Dialogue: Describes Ryan over the radio

Scene 57: - Taking Jake Away

Action: Camera follows the rest of the soldiers taking jake out of the building

Cast: Jake

Location: Complex

Dialogue: Insulting him

Ryans Bit

Scene 58: - Ryan Sprinting Away

Action: Ryan Sprinting back the way he came and back over the hedge

Cast: Ryan

Location: Open Ground

Dialogue: N/A

Scene 59: - Catching his breath

Action: Crouched down behind wall/ hedge.

Cast: Ryan

Location: Open Ground

Dialogue: N/A

Scene 60: - Ryan Making contact with Rob

Action: Takes phone out of pocket and dials a number from a piece of paper

Cast: Ryan

Location: Open Ground

Dialogue: Telling rob he has the tape

Scene 61: - Rob telling location

Action: Listening to rob tell location

Cast: Ryan, rob

Location: Open Ground

Dialogue: Rob telling Ryan where to meet him

Scene 62: - Ryan ending call

Action: Ends the call and put the phone back in his pocket

Cast: Ryan

Location: Open Ground

Dialogue: N/A

Scene 63: - Ryan running into distance

Action: Camera stays put and Ryan runs into the distance

Cast: Ryan

Location: Open Ground

Dialogue: N/A

Jakes Bit

Scene 64: - Location Change

Action: Fades to black and then fades into a room with a person sitting at a desk

Cast: Army officer

Location: CO office

Dialogue: N/A

Scene 65: - Jake brought in

Action: Jake gets brought into the room and stood infront of the CO

Cast: Army officer, Jake, 2 soldiers

Location: CO office

Dialogue: N/A

Scene 66: - Jake Getting Court-martialled

Action: CO talking to jake

Cast: Army officer, Jake, 2 soldiers

Location: CO office

Dialogue: Charging jake for allowing a target to escape and removing his rank and decommissioning him from service.

Scene 67: - Jake is taken out of the room

Action: jake is removed from the room

Cast: Army officer, Jake, 2 soldiers

Location: CO office

Dialogue: N/A

Scene 68: - Jake being thrown out onto the street.

Action: jake being thrown onto the street and then picking himself up

Cast: Jake, 2 soldiers

Location: Street

Dialogue: N/A

Scene 69: - Jake Getting Up And Walking Away

Action: Gets up and walks off into the distance

Cast: Jake

Location: Street

Dialogue: N/A

Ryans Bit

Scene 70: - Location Change

Action: Fades to black and back into ryan crouching by a wall/ hedge

Cast: Ryan

Location: Street

Dialogue: N/A

Scene 71: - Ryan Peering

Action: Ryan peering over a wall/ hedge to make sure that the coast is clear

Cast: Ryan

Location: Street

Dialogue: N/A

Scene 71: - Ryan Spotting The Scouts

Action: Face looks allot harder as he spots undercover soldiers moving in and out of buildings

Cast: Ryan

Location: Street

Dialogue: N/A

Scene 72: - Ryan Timing Sprint

Action: When the soldiers go into a building he quickly sprints into an already checked building

Cast: Ryan

Location: Street, Building

Dialogue: N/A

Scene 73: - Entering The Building

Action: Ryan bursts straight through the door and immediately hides behind somehing

Cast: Ryan

Location: Building

Dialogue: N/A

Scene 74: - Ryan is not alone

Action: Ryan can hear footsteps so draws his weapon ready

Cast: Ryan

Location: Building

Dialogue: N/A

Scene 75: - Ryan meeting Rob

Action: Rob appears round the side of the object and Ryan realises who he is

Cast: Ryan, Rob

Location: Building

Dialogue: N/A

Scene 76: - Exchanging Greeting

Action: Greeting each other and Ryan updating Rob on the situation

Cast: Ryan, Rob

Location: Building

Dialogue: Talking about what has happend

Scene 77: - Plan for leaving village undetected

Action: Talking about who they are doing to get out of the village undetected

Cast: Ryan, Rob

Location: Building

Dialogue: The plan

Scene 78: - Exiting the building

Action: They exit onto the main street and start walking quickly

Cast: Ryan, Rob

Location: Building, Street

Dialogue: N/A

Robins Bit

Scene 79: - Getting Spotted

Action: Ryan is looking backwards and spots the two soldiers walking towards them very fast.

Cast: Ryan, Rob, Soldiers

Location: Building, Street

Dialogue: Telling rob to start running

Scene 80: - Sprinting

Action: Rob and ryan sprinting down towards the end people

Cast: Ryan, Rob, Soldiers

Location: Building, Street

Dialogue: Telling rob to run faster

Scene 81: - Taking Cover

Action: Ryan grabs Rob and pull him to his side up against the wall

Cast: Ryan, Rob, Soldiers

Location: Building, Street

Dialogue: Telling rob shut up

Scene 82: - Killing the soldiers

Action: Ryan draws his weapon and as the soldiers run past he puts a bullet in the back of there heads

Cast: Ryan, Rob, Soldiers

Location: Building, Street

Dialogue: N/A

Scene 83: - Hiding the Bodies

Action: Rob and Ryan drag the bodies out of view up against the building

Cast: Ryan, Rob, Soldiers

Location: Building, Street

Dialogue: Rob Maoning that he has to move dead people

Scene 84: - Going to meet the assitant

Action: Running over various open ground

Cast: Ryan, Rob

Location: Open Ground

Dialogue: N/A

Scene 85: - Spotting the house of the assistant

Action: Rob spots the house and sends a signal

Cast: Ryan, Rob

Location: Open Ground

Dialogue: N/A

Scene 86: - Entering Building

Action: Run the short distance into the house

Cast: Ryan, Rob

Location: Open Ground, House

Dialogue: N/A

Richards Bit

Scene 87: - Assistant Greeting

Action: Greeted by the assistant and then asked for the tape

Cast: Ryan, Rob, assistant

Location: House

Dialogue: Greetings and Tape request

Scene 88: - Assistant Moving to another room

Action: Takes the tape and scurries into the next room followed by Rob

Cast: Ryan, Rob, assistant

Location: House

Dialogue: N/A

Scene 89: - Ryan Chilling

Action: After all that running Ryan sits down and takes a little nap.

Cast: Ryan

Location: House

Dialogue: N/A

Scene 90: - Location Change

Action: Screen Fades to black and comes back with Jake crouching by a hedge near the house.

Cast: Jake

Location: Openground

Dialogue: N/A

Scene 91: - Jake moving to building

Action: Quickly runs over to the door and then pauses.

Cast: Jake

Location: Openground, Building

Dialogue: N/A

Scene 92: - Jake knocks the door

Action: Knock the door three times

Cast: Jake

Location: Openground, Building

Dialogue: N/A

Scene 93: - Ryan Reaction

Action: Hearing the knock Ryan is suddenly awake and pull his weapon aiming at the door

Cast: Ryan

Location: Building

Dialogue: N/A

Scene 94: - Ryan Being Cuatious

Action: Slowly moves towards the door weapon drawn and pointed towards the door

Cast: Ryan

Location: Building

Dialogue: N/A

Scene 95: - Ryan opening door

Action: Ryan slowly crack the door open weapon first

Cast: Ryan

Location: Building

Dialogue: N/A

Scene 96: - Ryan recognising Jake

Action: Recognises Jake and lowers the weapon and lets him in

Cast: Ryan, Jake

Location: Building

Dialogue: Greeting each other

Scene 97: - Ryan quizzing Jake on how he found them

Action: Puzzled sort of look

Cast: Ryan, Jake

Location: Building

Dialogue: Explains how he got kicked out of the army and spotted you running across some ope ground. So just followed at some distance

Scene 98: - Jake Greating Rob and Assistant

Action: Amazement on Rob and Assistants face